Sonata eSonido Extract from the test of the Sonata series in the guitar & bass edition 05/2012: "It turns out that the developers of the eSonido system have done a good job: Both via the mixing desk and with closed headphones, and via an acoustic amp, it is clear that the different sound characteristics of the two models are transmitted very well by the pickup. So you hear the guitar and not just the piezo-typical PU sound. The three frequency bands are well tuned and cut to the specific frequency response of the concert guitar. Even if a mixing desk with high-quality filters would not be available in the live situation, one should be able to get close to one's own sound region. The brightness control influences a frequency band beyond the treble control and does what was expected by the name:..."
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Sonata eSonido Extract from the test of the Sonata series in the guitar & bass edition 05/2012: "It turns out that the developers of the eSonido system have done a good job: Both via the mixing desk and with closed headphones, and via an acoustic amp, it is clear that the different sound characteristics of the two models are transmitted very well by the pickup. So you hear the guitar and not just the piezo-typical PU sound. The three frequency bands are well tuned and cut to the specific frequency response of the concert guitar. Even if a mixing desk with high-quality filters would not be available in the live situation, one should be able to get close to one's own sound region. The brightness control influences a frequency band beyond the treble control and does what was expected by the name:..."